Ascension Church, County St., Ipswich MA

31 County Street, Ascension Memorial Episcopal Church (1875)

Ascension Memorial Episcopal Church on County Street was designed by famed architect James Renwick Jr. (1818-1895) and is considered “American Gothic Revival” in style. Construction began in 1869 and was completed in 1875. Among Renwick’s other accomplishments are the designs of St. Patrick’s Cathedral and St. Bartholomew’s Cathedral in New York City, and the administrative building of the Smithsonian Institute known as “The Castle.”

The Episcopal Protestant Church in Ipswich was organized in 1839, and the new congregation was allowed to share the Methodist Meeting House. When the present Methodist Church was constructed, the old Town hall was moved the short distance to the newly-extended County Street as “Damon Hall,” where the Episcopal congregation met for about a decade.

Woodcut of historic Ipswich Town Hill
Woodcut of historic Ipswich Town Hill in 1832. The Town House sat just in front of where the Methodist Church is today.
County St. and the two steeples circa 1860, before the Ascension Church was built. The building behind the Methodist Church is the former Ipswich Town House. The former Episcopal parsonage is at that location now.
Ascension Church in 1869
Ascension Church after it was constructed in 1875
Postcard of Ascension Church, about 1900
Ascension Church, after it was painted yellow
Ascension Church in the early 21st century, before it was repainted with the original colors.

The following article, written by Beverly Perna, discusses the exterior renovation of the Ascension Church.

Ascension Memorial Church has undergone a transformation. According to Bradford Clark, the Ascension rector, planning for the exterior renovation began two years ago when a surplus of pledges made it possible to attend to needed repairs and cosmetic changes.

Phase 1 of the project was Nichols Hall on the side of the church. It houses the parish hall and the rector’s office. Clark said there was no insulation, and the wood exterior was rotting in spots. When that was completed, it was on to Phase 2 — the church itself. Clark said that with all the decisions that had to be made, the hardest one that took the most effort and deliberation was what color to paint the church. There was even a special Design Advisory Committee formed of artistic talents among the church members to sort through all the possibilities and to make a recommendation of colors.

Parishioner Bryan Townsend, who owns the historic preservation company Terramor, served as the unofficial “clerk of the works” during the project. He said the paint had been peeling from the church’s exterior for some time and had revealed previous layers, mostly of a reddish brown. “After we started sanding and scraping, we found the following colors (in order of appearance):

  1. Greenish olive
  2. Grayish greenish lichen
  3. Reddish brown
  4. Pale yellow
Century of Color Exterior Decoration

He said he thought the reddish brown was the longest-lasting color in the church’s history and certainly was an appropriate color for a Gothic revival church, as were the olive and lichen hues. Pale yellow was not. Townsend said they did some research and decided to go with a historically sensitive palette of olive for the body of the church and a rich brown.

“Because the interior of the church has similar color trim, we decided a rich brown on the outside would not only work well to highlight the beautiful trim boards but would also echo the interior treatment,” he said. The olive on the body is somewhat close to bringing the church back to its original color. So, the two colors speak to past colorations of the church and are grounded in research, with one reference relied upon greatly: Century of Color; Exterior Decoration for American Buildings – 1820-1920, by Roger Moss.

Further reading:

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